ODYSSEY OPERA'S GIOVANNA D'ARCO BOLD AND FLAWED
by Arturo Fernandez
SCHMOPERA
"But of course, the real scene-stealer was Daniel Sutin as Giacomo, who was able to craft a complex, believable character out of the libretto he was given. It is a rare opera singer who can act both with and without his voice, and Sutin showed adept skill at both; the result was magnetic and full of pathos."
Il Trovatore a vision of cross purposes
by S. James Wegg
JWR | James Wegg Review
"Last-minute replacement Daniel Sutin settled into the part of Count di Luna with energy and panache..."
Daniel Sutin Subs Effectively in “Wozzeck” at the Met
by Barry Bassis
THE EPOCH TIMES
"Baritone Daniel Sutin stepped into the lead part... and gave a vocally and dramatically powerful performance."
Daniel Sutin Subs Effectively in “Wozzeck” at the Met
by Barry Bassis
THE EPOCH TIMES
"Baritone Daniel Sutin stepped into the lead part... and gave a vocally and dramatically powerful performance."
Maid in Heaven: Odyssey Opera’s Giovanna d’Arco
by Kevin Wells
bachtrack.com
"Daniel Sutin’s dense, oaky baritone is perfect for Verdi..."
Maid in Heaven: Odyssey Opera’s Giovanna d’Arco
by Kevin Wells
bachtrack.com
"Daniel Sutin’s dense, oaky baritone is perfect for Verdi..."
'Rigoletto' proves its timelessness
by David Hendricks
My San Antonio
"The most striking stage presence came from baritone Daniel Sutin as the court's jester and title character. His singing effectively articulated his ardent overprotectiveness, as his daughter's father, and his obsession with a curse placed upon him in the first scene."